A Darker Shade of Magic

When I picked up V.E. Schwab’s, A Darker Shade of Magic, I had also picked up the beginning of her other series, This Savage Song and when I began reading ADSOM, I knew I would love it so much that I actually put it down in favor of trying to read This Savage Song first. Not that I didn’t enjoy This Savage Song, because as you can see from my previous review, I actually loved it quite much, but something about ADSOM that just captivated me. Perhaps because it is so well talked about, and I owned both the regular and collector’s edition before even opening either cover, but I knew I would fall in love, and fall in love I did.

A Darker Shade of Magic by VE Schwab
Published by Tor Books on February 24th, 2015
Genres: Epic, Fantasy, Magic, Family, Friendship, Sacrifice, Power, Royalty
Pages: 400
Source: Amazon // Goodreads // Barnes and Noble

Final Review: 5 out of 5 ★★★★★


I pretty sure I fell in love with ADSOM more so than This Savage Song because it fits in to what I believe is an uptick in “adult” fantastical epics, and I’m obsessed. I use the word “adult,” in quotes of course, because technically–legally–I am an adult a few years over. I am not a “young adult” any more and teens these days, thirteen, fourteen year olds, are more “young adult” than I ever was at their age. To me, there is a rise in actual adult fantasy books–those that yes, include romance, but isn’t cheesy (and I hate to use that word because not only am I a big fan of really any dairy by-product, I also adore cheesy books); the romance generally includes more adult overtones, i.e. sex and adult relationship problems. The characters are not in high school, or if they are of that age technically, they are far more advanced due to circumstances. Smaller so, but still important, there are more swear words and the diction itself is mature, as if each writer sat with a thesaurus attached to their keyboard. Some examples that, not only do I love also, but would include in this strange hybrid category are Sarah J. Maas’ series’ (particularly A Court of Thorns and Roses series simply because I enjoyed it better than A Throne of Glass) as well as Leigh Bardugo’s Six of Crows and A Crooked Kingdom. These novels, and including Schwab’s A Darker Shade of Magic, are modern-day fantasy epics–encroaching on the classics of Game of Thrones or The Lord of the Rings where the worlds are vast, the characters are multifaceted and there are tougher subjects being covered.

Though I was trying to meet my deadline of finishing ADSOM before the 14th (which I did!), I only put it down because I had to (family dinners, going through security, sleeping, etc.). Schwab truly has something special in her writing and I got a taste of it with This Savage Song and then a whole mouthful with this.

What I’m trying to do in my reviews, something I haven’t done in the past but I believe is extremely important now, is to connect the novel / book to any modern-day events or problems or happenings that I see manifest themselves through the author’s writing. As we continue the use of the hashtag #TimesUp, it only seems fitting that I begin my discussion of Schwab’s book with the woman in black, Lila.

Lila, Lila, Lila–what can I say about you? Honestly, dear reader, I hated her when I was first introduced. She just seemed so…stubborn and stupid and was probably going to get Kell killed (spoiler, it almost happens more than once no thanks to her) and she just all around annoyed me. It felt like Schwab was trying to make her too aggressive, to fit into that typecast of “I don’t need no man” womanhood, but little did I forget that I am reading a modern adult fantasy, where the characters grow and evolve much more subtly than that of regular YA novels and, at the end, Lila grew and evolved on me.

Not that Lila wanted to be pretty. Pretty wouldn’t serve her well… Why anyone would ever pretend to be weak as beyond her (66).

As someone writing my own strong, lead female character, I grapple with my creation. How strong do I want to make her? Even though I’m a millennial feminist in my own ways, I also do love a good trashy romance beach read where the female lead gets swept off her feet and falls in love–and I don’t think there’s anything wrong with that. Why can’t us women, in the 21st century, have both? Once again, I’m drawn to Sarah J. Maas’ A Court of Thorns and Roses series lead, Feyre. She gets both–a life-altering romance that sweeps her not only off her feet, but changes her whole mindset, as well as has the strength to sacrifice herself for her kingdom. And though we don’t see any blatant romantic scenes between Kell and Lila, I believe that perhaps, if she graces the second or third books with her presence, perhaps there can be something between them and I would love it.

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Another connection I make between our modern world and the four Londons is the use of language. If you own the exclusive collector’s edition, then you know that there is an appendix consisting of a dictionary of words used by the Antari and Arnesian, but even without the appendix, the reader knows that language is important to the story. Kell needs his Antari tongue in order to travel between Londons, where he brings correspondences to and fro between the kings and royals–the only way the royals have access to each other is through Kell and Holland and these scarce formality letters. Furthermore, there are two different versions of speech: English and Arnesian. In Gray London, where Lila is from, everyone speaks English, but in Red London, where Kell is from, only the royals and wealthy speak English and even then, the accents are heavy.

The queen spoke in English. Kell knew that she hadn’t studied the language, that she–like Athos–relied on spellwork instead. So where under her close-fitting clothes, a translation rune was scarred into her skin. Unlike the desperate tattoos made by the power hungry, the language rune was a soldier’s response to a politician’s problem. Red London treated English as a mark of high society, but White London found little use for it (94).

What I want to focus on here is how Schwab notes that Red London treats the English language as a mark of high society–how true is this? Red London is the most decadent, but also the most pleasant London of the four. There are, naturally, unhappy people, as in any kingdom, but for the most part, the people are happy and they love their king and queen, and yet they have two different languages spoken: the common tongue, and English. There is a stigma, I believe, hovering around people like myself, who continue our eduction in a dying field: English. I have my Bachelor’s in English Literature, am currently getting my Master’s in it as well, and will hopefully add a PhD soon. I have a high vocabulary and read voraciously (if I didn’t then this blog wouldn’t make much sense would it?). I do remember during my undergrad, when I was still a dual major student in both literature and the art of teaching (as in I was going to be trained to become a high school or lower English teacher) and terms like code-switching and Ebonics came into my vernacular. I have studied the English language very, very little, but I do feel like I know some about it! I love reading about the creation of the Oxford Dictionary and just how language changes. Starting not even with the beginning, we have Old English that barely looks or sounds like English, then we move onto the Early Modern era (aka Shakespeare’s time) where “thee” and “thou” was prevalent, and we can fast forward even more so to somewhat modern, where words like “groovy” and “dude” come and go and the word “like” and “literally” and “can’t even” make an appearance. So while our language is constantly evolving, there are people who still believe English is the “true” and “right” tongue. Yes, perhaps English is technically the universal language, but that’s only according to some stuffy men at the UN. Even within the United States, where English is the native language, there are dialects: words that are said and used regularly on the east coast rarely pop off the tongues of those on the west, and don’t even get me started on the grammatical errors in the south. Will there be a time when my own country finds little use for English? Probably not, but will it continue changing? Of course.

I would recommend this book to anyone who is a fan of Maas or Bardugo, to anyone who enjoys fantastical epics loaded with adventure, and to anyone who was impressed with This Savage Song and wants to see Schwab take it to the next level. To wrap up, I want to leave you all with a quote from Lila that some of us, including myself, need to think more about in today’s world:

“You have a house if not a home,” she spat. “You have people who care for you if not about you. You may not have everything you want, but I’d wager you have everything you could ever need, and you have the audacity to claim it all forfeit because it is not love… Love doesn’t keep us from freezing to death, Kell,” she continued, “or starving, or being knifed for the coins in our pocket. Love doesn’t buy us anything, so be glad for what you have and who you have because you may want for things but you need for nothing” (235).

The Afterlife of Holly Chase

Naturally, I had to pick this up and read it over Christmas and the same friend who recommended This is Not the End had also read this, so I made sure to not ask her anything about it before reading!

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The Afterlife of Holly Chase by Cynthia Hand
Published by HarperTeen on October 24th, 2017
Genres: Coming of Age, Family, Friendship, Romance, Humor, Holiday
Pages: 400
Source: Amazon // Goodreads // Barnes and Noble

Final Review: 4 out of 5 ★★★★☆


Whenever someone asked me what I was reading, which undoubtedly happened every time I opened the book around family, I promptly told them “It’s a modern retelling of Dickens’ A Christmas Carol.” Now, this isn’t incorrect, but it’s not really the whole story. Even though it’s January, Cynthia Hand’s, The Afterlife of Holly Chase, is only more relevant. If you’ve noticed the other most recent post I’ve made, it discusses some bookish New Year’s resolutions. These are goals I’ve set for myself to desperately try to keep in order to stay mind happy and healthy. And even though Hand’s tale is a Christmas one, it’s really about changing one’s self into our best version.

But I didn’t know I was a Scrooge (12).

Holly Chase is two things: a bitch, and dead. At seventeen, Holly died a humiliating death and wound up working for  Project Scrooge as a “zombie”–she’s technically still alive? But isn’t aging and constantly resets at midnight every night to stay as the seventeen-year-old girl she died as. At Project Scrooge, an appropriately located in New York City–the Scroogiest cities in the world probably–the crew pick a “Scrooge” each year and using the characters Dickens set forth over 150 years ago, try to save the Scrooge from their own horrible ways. Holly is what’s considered a “failed Scrooge” seeing as she was greeted with three ghosts of Christmas–Past, Present, and Future–and laughed it off, denying their existence, and ended up dying anyway.

Being the classic, rich bitch, Holly is stuck up, annoying, materialistic, and self-centered–all the good qualities of the cliched high school prom queen, but she is surprisingly in a position of power at Project Scrooge. She’s the Ghost of Christmas Past! The first Christmas ghost any Scrooge sees! She definitely plays an important role, so it’s interesting that she’s so annoying, but really that makes her almost more real. She’s not perfect and strangely, after death, Holly has accepted it.

Of course, there are more twists and turns I was only a little bit expecting, but Hand plays it all off brilliantly. And perhaps it was because of the timing–I did begin reading it on December 23rd and finished on the 26th–I definitely give Hand’s story a four out of five. I was actually surprised I liked it more than This is Not the End. While I was waiting for the sappiness, and sure it was there, The Afterlife of Holly Chase was refreshingly upbeat. I probably would not pick this book up in the middle of July and I’m generally not the person who only reads certain books during certain seasons, but this one really is a good, winter tale–especially right now with the year changing.

If you’re looking for something sweet and refreshing, a snuggly cold day read that also makes you want to take up every hobby you ever let pass and call your mother, then The Afterlife of Holly Chase is a perfect book for you.

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The Bone Witch

Finishing more than 400 pages, I am enthralled but also so confused–what even happened, Tea? Please tell me what happened to you. The story is written in such an interesting and different way. Every other chapter takes place in the present. This is where what a journalist would be from this world, named Bard, finds Tea in her exiled land, and is determined to learn her story. She tells him her past, how she became an asha and how she got to the strange and desolate place she is today, which brings the reader to the next chapter, told through Tea’s perspective and set in the past.

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The Bone Witch by Rin Chupeco
Published by Sourcebooks Fire on March 7th 2017
Genres: Fantasy, Thriller, Magic, Romance, Family, Mystery
Pages: 432
Source: Amazon // Goodreads // Barnes and Nobles

Final Review: 4 out of 5 ★★★★☆


Picking up this book off of the Barnes and Noble bookshelf initiated both curiosity and fear–feelings I think Tea had felt many times during her asha training. The description boded more fear than what I actually read; something about reading about someone who raises the dead, add a skull on the cover, and you have a scared Shelby. And yet…I needed to buy it. Perhaps Tea was speaking to me through the book, guiding me to her strange and enticing story. I am both very glad that I picked up this book, but also still confused.

I think the most amazing part of the book is that while creating an intensely detailed world, Chupeco still finds time to have an interesting gender-related conversation. Tea, being a young and inexperienced girl, gets immediately thrown into the frightening, yet glamorous life of being a bone witch apprentice after accidentally raising her brother from the dead. Though clearly terrified (and rightfully so), instead of being silent, Tea stands up to the women before her, making sure her small, but extremely significant voice is heard.

I never did understand why the role of an asha was restricted to women alone. In the course of my wanderings, I have seen men who could be just as graceful as women. Men who, with the constant training we have had to endure, could perhaps rival even the likes of Lady Shadi. Are there any male dancers in Drycht? (page 178).

Not only does she question why men are not allowed in the asha world, she also goes to wonder why women are not allowed on the battlefield alongside the men.

“Death seekers are aware of the risks they take whether they face off against an azi or a tiger cub, a monster or a human…[T]his must be left up to the men. They are prepared to sacrifice their lives; we are not prepared for you to do the same” (page 355).

And this is just one topic Tea decides to cover–she knows that she is here, in this world, to change something. Whether it is the way royals and high asha think of other genders, to how the asha and citizens look upon the daeva. Tea is going to change something. But once the reader gets the ending, we still don’t know what that might be.

Give this book a read if you’re interested in something completely new and different. Not only is the story unlike anything else I’ve read–Tea has so many dimensions to her and there are so many more characters besides her!–the story structure is original as well. This allows more characters to be introduced (like Bard) as well as even more information regarding Tea’s life.

The only thing that I didn’t enjoy about this book is that I still don’t really know what happened. Many things happened–raising dead rats here, old kings there, a brother before, and demon devas later–and yet, the ending. I was disappointed that there wasn’t more greeting me at the end. We learn through Bard that Tea is extremely strong and has a new plan of her own–it doesn’t include the relationships we have grown accustomed to in her storytelling. But then the book ends with Tea looking onward to the destruction she is about to generate. I read on Goodreads that Chupeco is planning on writing a sequel, and I believe this is almost necessary. I am left with so many stories about Tea and her sisters, Tea and Fox, Tea and her love interests, and yet, nothing to tie anything together to. I need something more!

PS. Chupeco, can we get a glossary of words in the back of the next book? I realize, while re-reading my review here, that I am unsure whether to try and describe what each word is, or if I should just leave it for my readers to figure out on their own.

“Everyone is a puzzle, Tea, made of interlocking tiles you must piece together to form a picture of their souls. But to successfully build them, you must have an idea of their strengths as well as their weaknesses. We all have them,” [Polaire said] (page 275).

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Jackaby

This is an old book! I’m not sure why no one has told me to read it, seeing as it has two sequels and it’s really good, but alas, I had to find it on my own and I’m glad I did.

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Jackaby by William Ritter
Published by Algonquin Young Readers on August 25th 2014
Genres: Fantasy, Thriller, Historical Fiction, Romance, Friendship, Mystery
Pages: 304
Source: Amazon // Goodreads // Barnes and Nobles

Final Review: 4 out of 5 ★★★★☆


The quote on the front of the book, by the Chicago Tribune, somewhat accurately sums up this book: “Sherlock Holmes crossed with Buffy the Vampire Slayer”–I’m not sure I see the Buffy part, other than banishing demons, but certainly the Sherlock Holmes part. Particularly because Jackaby himself is quite quirky and odd, much like Sherlock or the eleventh Doctor.

The story follows immigrant Abigail Rook, who, coming from England, is searching for a job that can pay her enough so she can live, and seeing as it’s 1893, finding a place to sleep at night in the warmth is important. She stumbles upon an advertisement for Jackaby, an assistant in his investigative service, and the rest is the book. What really drives readers in is the mystery entwined with fantasy to the point that it seems real: there is some sort of demon on the loose, killing victims for their blood (oh here’s the vampire reference). Abigail, never having heard of any of this before, is of course bewildered but stays strong, thinking the murders are a mere sick joke.

What makes this book different however, which is important because the similarities to Sherlock Holmes are quite striking, is the charming demeanor of everyone but Jackaby. Of course he’s going to be odd, carrying around tons of random objects in his pockets, drinking potions that allow him to see through walls and what not–all of this is almost expected seeing as it is a piece of fantasy writing. However, having Abigail be a strong and smart woman–she wanted to be a paleontologist!–instead of necessarily a damsel in distress (she does have her few moments though, since we all do!) makes for an interesting pair. Ritter also could have made Abigail and Jackaby love interests to each other, and refreshingly so, he didn’t. Instead, there are certainly underlying backstory regarding Jackaby’s past, as well as Abigail’s, that keeps the reader turning the pages.

Furthermore, the non-lead characters, such as the ghost roommate, Jenny and the strange ghost-seer Hatun, are potentially more intriguing and just as influential as Jackaby. Women are important in Jackaby’s life, in fact all the female characters, save for a few classic strumpets who hate Abigail for not being more proper, are linked to the fantastical realm and are sought after by Jackaby. Hatun, for example, is described as:

see[ing] a different world than [Abigail] or [Jackaby], a far more frightening one, full of far more terrible dangers, and still she chooses to be the hero whom that world needs. She has saved this town and its people from countless monsters countless times. That the battles are usually in her head does not lessen the bravery of it. The hardest battles always are (104).

Hatun may be called the crazy lady that takes care of an invisible troll to the towns folk, but to Jackaby, she is truly necessary in solving this case. Jenny, the ghost roommate, makes Abigail feel more at home, being the one to talk her down when the magical realm becomes too much her to handle, and allows her to steal the clothes Jenny can no longer wear (since she’s a ghost). Miss. O’Connor and Mrs. Morrigan are, as well, crucial to the murder investigation. And, of course, Abigail, being another set of eyes for Jackaby at all times. Ritter may unconsciously or consciously alerting the readers that no man can ever truly do anything on their own, and when they do, in the case of the bad guy (no spoilers here!), they will undoubtedly get caught by a woman.

At first, I was really hoping this story would be an historical, fantastical twist on the classic Jack the Ripper open case. Jack the Ripper being some sort of fantastical, demon-like creature, that instead of stealing organs to do god knows what with, is either eating them or using them for something else, much like the strange creature Abigail and Jackaby face here. Then, Jackaby, being able to see things that no one else can, would understand that he is simply a misunderstood demon and needs to be sent forth from our world–that’s how I would have wrote this story and maybe in one of the sequels, the story continues (I wouldn’t know, I haven’t looked at them yet).

Please give this book a chance, given its age, if you’re interested in something fun and quirky to read. Jackaby is laughable and the character relationships are deep. I haven’t decided if I’m going to pick up the next two books, more because I have so many books to read already and less because I don’t want to. Jackaby doesn’t necessarily end on a cliff hanger, but it certainly does end with the reader interested in learning more about the dynamic duo.

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Dear My New Best Friends,

Dear Jenny Lawson, Ruby Elliot, and Allie Brosh,

Dear award-winning authors,

Dear you crazy women,

Dear my new best friends,

I’m assuming you’ve heard this many, many, many times over (I’m hoping it doesn’t get old), but I want to thank each of you for the work you have done. To some, your work might seem like fun books with drawings and crazy taxidermy stories, and while this is totally true, your books have been so much more to me. I honestly don’t even know where to begin this review–and let’s be honest, this is hardly a review at this point but more like word-vomit colored with fancy sprinkles and googly eyes. All five books get five stars and if you don’t like that, you can leave. This is my website after all. If I must nitpick, I would give Furiously Happy by Jenny Lawson five out of five stars and Let’s Pretend This Never Happened also by Lawson four-and-a-half stars simply because that’s how much I love Furiously Happy. So you get five stars! And you get five stars! Everyone gets five staaarrrsss!

But seriously, I am in awe of all of you. I think I might be in love with all three of you at the same time. Can we have a sleepover?

Did that come off as too creepy? I’m sure at a Barnes and Noble signing, you guys have heard worse–like someone’s comment about how your hair smells and you wonder how he knows. Or someone on meth asks you to a steak dinner with a note reading: Attn. pretty lady behind the counter. Wait…these things happened to me, not you. Anyways, dear god do not ever change. Please, for the love of humanity, keep writing, drawing, living your beautiful lives so nobodies like me, who frantically type up raves that no one will read, have something to do with their boring, depression-ridden lives.

You all speak to me–individually and together. We are having a conversation together, whether you intended for it or not.

Positive conversations between women are crucial today and by displaying all sides of yourselves, you three women (and I’m sure many more) are having a conversation with each reader, letting them know that everything they are feeling from mental illness to motherhood, from husbands/boyfriend/girlfriends to family issues and work issues, we are not the only ones. These feelings, emotions, dark and light thoughts are happening to women all around the globe. By publishing these stories, these non-fiction tales, Lawson, Brosh, and Elliot are letting me know that what I am experiencing right now, in this very moment, might be both horrible and hilarious, or the worst and the best. Because you all talk about these issues as everyday problems, and yet still a crucial part of you, you are normalizing issues that society has hushed. No experience from a woman is allowed to be discredited or silenced any longer.

With the changing of hands in our government, the repealing of Obamacare and the lack of care for mental health patients, I am scared that my drugs that keep me stable enough to live each day will no longer by supported by my insurance. I’m scared that those like me, that have problem waking up in the morning because of something dark sitting on their chest, will not receive the help that they, that we, need. Depression and anxiety might seem commonplace on the internet, it is still misunderstand or not wildly accepted as a real thing. Many do not understand, and choose to not understand because these illnesses do not affect them the way they affect us, and this scares me. However, thanks to you guys, you have made these illnesses even more commonplace and easier to explain. I can show RubyEtc.’s pictures or Brosh’s drawings to my boyfriend, so he can grasp what I’m feeling when words escape me. I can color in and hang a picture drawn by Lawson’s beautiful hand in a heavy-traffic space in my house, so I can see it every day and feel “normal.”

Like you, like many women, I struggle with my mental illnesses. In fact, I feel as if saying this is so commonplace that my readers will be like “Yeah, so? We all do. You’re not special in saying that you have mental heal issues.” However, it is so easy to feel alone in our own minds. Sure, logically I know I’m not the only one with depression, anxiety about time, etc. but since most of the people I surround myself with do not experience these crippling issues, I can feel more alone. You guys take that feeling away. I am not alone thanks to your books. I am normal thanks to your books.

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Order in which I read, starting on the left.

So to Ruby Elliot:

Thank you for putting pictures to my thoughts and feelings. In the beginning stages of my mental illness, I didn’t even know I had problems–I just thought I had temper tantrums, anger management problems, and tons of emotions because I was always crying. Once I started therapy and began putting names to the feelings, I felt much better. And you have done that again. If someone asks me how I’m feeling, I can just show them your book. Pictures are so much easier to digest and interpret. In our busy lives, sitting and reading an entire self-help book is unlikely (okay but I do this anyways), but being able to flip through your book to a dog-eared page and remember that you felt this way strong enough to draw it out for me to ponder on is remarkable. Here are some pictures (that I took myself) of your pictures that perfectly describe me (please excuse potato quality and my nail polish):

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To Allie Brosh:

I had one of my least favorite English professors recommend your book. He is a condescending arse-hole and actually got fired from my school. Now I’m assuming this has NOTHING do to with your book and more to do with the fact that no one likes him. However, once I started reading Elliot’s book and had read one of Lawson’s, everyone began asking me if I had heard of or read Hyperbole and a Half. I was always brought back to that classroom with my teacher saying he had found myself in your book (so condescendingly might I add) and I wanted to smack him. But trust me. I get it now. Sure he’s a prick, this letter isn’t about him, but goodness Ms. Brosh, I think I peed my pants while reading your book (I wouldn’t be surprised if many strangers tell you that). Not only this, but even though I’ve been on medication for four years now and have seemed to grasp my own problems as far as mental illness goes, you still have shed new light on what I once was feeling and what I still am currently feeling.

The beginning of my depression had been nothing but feelings, so the emotional deadening that followed was a welcome relief…But my experiences slowly flattened and blended together until it became obvious that there’s a huge difference between not giving a fuck and not being able to give a fuck…Which leads to horrible, soul-decaying boredom (124-25).

I feel like when I start therapy again once I move, I could simply bring in chapters from your book and say “This. Diagnose this, and you’ve diagnosed me.” On top of the mental illness similarities, you just totally understand the other weird shit that I feel:

It feels unfair when the other things in the world refuse to be governed by my justice system. [Brosh goes on to draw a panel about falling in love with an otter in a magazine, and then wondering why the otter has betrayed her by not being real and in front of her] (276-77).

Why do we feel this way? I don’t know, but thank you for pointing out a thing I do that I really didn’t even know that I did until you pointed it out.

Finally, to the mastermind Jenny Lawson:

Where do I even begin? You were my first; my first for a lot of things. Furiously Happy was not only the first book I bought that you wrote, it was the first “mental illness is a topic in this book” book that I bought, and I’m pretty sure it was the first book that made me laugh so freaking hard I wanted to throw up. Jenny,–I can call you Jenny, right?–I want to be like how you are to your own mental health issues. I know that that is kind of a shitty and fucked up thing to say, knowing your history with self-harm and just general issues, but seriously. You not only put to words feelings and emotions that leave me speechless and that I cannot describe to the lesser, normal people, but you then take it a step further and depict the ways that you are actually living with it. Your stories, particularly all those in Furiously Happy, have made me want to be a better person towards the issues that battle each other inside my cranium. You are so proud of yourself and the work you’ve accomplished–being a famous blogger, bestselling author, loving mother and wife, taxidermy animal collector–all while struggling with these non-curable problems. And you’ve done it so hilariously and real. I cannot thank you enough for being the type of person who is so true to herself and just also happens to have crippling mental problems and doesn’t use them as a crutch for her life.

I’m pretty sure I’ve dogeared my entire copy of Furiously Happy, so much so I can’t even find an appropriate passage to turn into a block quote here because I’m pretty sure I can’t insert the entire text–must be some sort of law. All I know is that throughout Furiously Happy and Let’s Pretend This Never Happened I was laughing so hard I was peeing and my boyfriend was wondering if I was going to make it out alive (uhh the pooping story in LPTNH??), I was nodding my head in complete and utter agreement with other tales, and for once in my life, dreaming about visiting Texas. And though I haven’t had the chance to fully go through You Are Here, I know while it might not be as hilarious as your tears-in-the-eyes stories you tell, it will only further complete my collection of your work.

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These are the things that I need to get through the day.