Take One Drop of Pretty, and Call Me in the Morning

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wow. just, wow. I cannot get over this book. I am totally blown away by how unassuming Clark’s book is, resting neatly on the shelf in barns and noble where I purchased it, only to completely mind-fuck me with each page turn.

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The Regulars by Georgia Clark
Published by Atria/Emily Bestler Books on August 2nd 2016
Genres: Contemporary, Feminism, Friendship, Romance, Beauty
Pages: 400
Source: Amazon // Goodreads // Barnes and Noble

Final Review 5 out of 5

★★★★★

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Picture that episode of Sherlock where the victims of an unknown cause of death are to choose from two pills: one will kill you, the other lets you live. Now, The Regulars is certainly not that dramatic, but the choice of poison is still there. Would you drink a drop of Pretty, a powerful “drug” that once swallowed, turns the user into their most perfect, beautiful, “pretty” self.

Three friends, roommates Evie Selby and Krista Kumar, along with Willow Hendrickson, have been friends since their college days. Naturally living in NYC as three, young, talented, but unrecognized women can be difficult and bills need to be paid. Evie works at Salty, a magazine that seems loosely based on our world’s Cosmo. She is a lowly editor (wait, I want that job), but has dreams of writing big league stories on real women’s issues. Krista is a law-school dropout turned aspiring actress. She cannot seem to catch an acting break though and owes Evie quite a few dollars in bills. Finally, there’s Willow, who actually needs no help financially seeing as her father is a famous movie producer. She, instead, needs help finding her own, personal path of art without the help, and support, of her father.

When Krista is approached by an old classmate, whom she doesn’t recognize, and given a strange purple vial containing a liquid called “Pretty” the three girl’s lives will change. Pretty turns each user into their truest, best, most popular and overall prettiest self. It sheds pounds, gray hairs, unwanted overly large noses, and more. It changes hair color, length and texture, eye color, removes blemishes and even tattoos. It truly creates a person who is worthy of fashion magazines and prom queen titles.

Each woman takes Pretty for a different reason and therefore create their alter-egos. Krista becomes Lenka Penka, a beautiful aspiring actress who needs a new agent and new movie. Evie becomes Chloe Fontaine, a new face for Salty‘s new live show Extra Salty where Evie hopes to influence people politically. And Willow turns into Caroline for the simple reason of trying it. She later develops a method to her madness in using Caroline as a model in her photographs.

Love interests bloom, careers expand, and overall good things happen to those that are pretty, all while the three aren’t really themselves. So why bother going back? Why not have it all? The brains and personality of a Regular but the look and taste of a Pretty? Who’s even stopping them? They are young and hungry women, eager to make a name for themselves in the big city and they have a secret potion that is going to get them there.

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Take this fanart  “There’s no such thing as ugly”; I understand the message they are trying to send–a classic case of “everyone and everything is beautiful” and while they’re not wrong in wanting to believe that, Clark’s characters echo through my mind.

In a rational world, a hopeful world, there wouldn’t be anything described as ugly, but on a realistic level, there are many, many things holding that description and it doesn’t even have to be women! Certain Lularoe legging patterns, the world’s ugliest dog [okay, but all dogs are cute, right?], insects, deep-sea creatures, those toaster cars, the lovely and inevitable acne, and the list continues. It is horrendous that “ugly” is commonly used to describe people or features of a person whether it be their hair or their personality. So instead of writing another tale about women’s bodies through rose-colored glasses, Clark writes about the good, the bad, and of course, the ugly.

If you are interested in a refreshing tale that will completely take you by surprise, then I suggest you picking up this pink book. Sitting perfectly on the shelf, just like a little jar of Pretty, it screams simple but edgy, it has something to say and boy does Clark say it.

Evie’s, or should I say Chloe’s, makeup artist at Extra Salty, Marcello, asks the question Clark poses:

“Does that annoy you?” Marcello asked, dotting Evie’s skin with foundation. “The fact you’re not in charge of how you look?” (page 256)

Aren’t we all a little annoyed that we can painstakingly work on profiles, lip proportions, chin jut outs on a Sim character, but not on ourselves? Of course, we are! We’re realists! Someone is always going to want bigger boobs, less bushy eyebrows, curlier hair, and the opposites to go with those. So, of course, we’re mad that with a snap of fingers, our face is rid of acne, age spots, dark spots, scars, wrinkles, and anything else women are told is ugly. But of course, we can’t do that. There is no magic pill, serum, or drink; this isn’t Wonderland and we aren’t Alice. We are real and our “ugly” features are real too; they are a part of us. And when we take those away, are we really us anymore?

Evie doesn’t seem to think so when she becomes Chloe Fontaine for the first time, but she brushes it away quickly:

The most unusual inclusions were two subtractions: first, she no longer needed glasses…And second, her tattoo was gone. This struck her as odd: she was fond of her tat, but the ink had spread over the years and was sun-faded. By comparison, the space where it used to be on her forearm resembled pristine carved marble (page 94).

Two vital parts of her are missing: first, her glasses, a necessary accessory that she had been wearing since 10 years old, and then her tattoo, a permanent piece of art that she chose to get for some reason at some point, was now missing. Sure these are minor, and in a way, we have the availability to rid ourselves of poor eyesight (contacts, laser eye surgery) and bad tattoos (tattoo removal i.e. a saw), but Evie didn’t necessarily see either of those features as ugly but the Pretty did and in order for her to become her perfect self, she must be rid of anything ugly–including things that made her feel pretty at one point.

I myself have 5 tattoos, all that have deep meaning to me. The reader doesn’t know what Evie’s tattoo is, but it begs the question of whether or not tattoos are “pretty” enough to be included in someone’s Pretty form. Clearly, Evie’s wasn’t.


Moving on from Evie, Willow/Caroline is probably my favorite character in the story. Although Evie seems to dominate Clark’s world, Willow, to me, seems the most relatable. Evie is a pronounced feminist and woman-rioter. She has short hair, is a blogger, and denounces her Cosmopolitain-like magazine. Krista, on the other hand, is extremely bubbly and overall annoying. She only thinks of herself when taking the Pretty (well, I suppose all three women only think of themselves when taking the Pretty…) and doesn’t seem to want to do any good with it. Finally, there’s Willow, who although she doesn’t use her new beauty for good, per se, the reader watches as Pretty completely shuts her down–a normal reaction I presume to such an addictive and overwhelming drug.

She notes spot on that by becoming Caroline, this alter-ego of herself, she isn’t Willow anymore. It doesn’t bother her that she is no longer the daughter or friend or girlfriend people in her life care for because now she can feel like a “normal” person in the world; her anxiety and depression don’t cripple her on a daily basis–she can create a person who doesn’t have any mental illness at all and this is exactly what she does.

There was something about being Caroline that was so incredibly freeing. Caroline didn’t carry herself with an invisible shield. Sometimes Willow felt like she was always conducting two conversations with the world: the one that was spoken out loud, and the one she carried with her, inside her head. Caroline wasn’t like that. Caroline didn’t hide her body. Caroline didn’t double-check her statements to make sure they sounded smart. Caroline knew how to flirt. Caroline was liberated (page 202-03).

Willow as Caroline, of course, makes mistakes–all of the girls do. She does stupid things, ranging from completely ignoring her two best friends for days on end to flirting with her own boyfriend as a different person. All of this is in the name of art, though. Her photography is what separates her from her father’s Hollywood movies and her friends “adult” careers. She finds peace in her photography, so imagine the inner peace she gets from being Caroline and taking pictures? This all spirals out of control, obviously, and Caroline starts to take over. Who are the girls now without their alter-egos? What if they decide to never be their old selfs again?

“And I know you think makeup sets an unrealistic standard and yadda yadda yadda, but the way I see it, I’m just helping people bring out their inner goddess. I can’t make you beautiful, Chloe. I can just help you see, with a little color here and a little color there, that you are already beautiful” (page 257).

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Being Regular wasn’t enough though for the three women and others in New York who are taking Pretty. Though Marcello’s words resonate with all of us, and Evie when he tells her this, their beauty standards are still impeccably high. Once Evie and Krista transform into Chloe and Lenka respectively for the second time, they notice that some features are not as elegant or brilliant as before from their first transformation. Krista/Lenka’s eyes are not as sea-green and Evie/Chloe’s chin juts out a little more than she remembered. Is this the beginning of the Pretty becoming the Regular? If taken so many times, what is to say that the Pretty version completely takes over the Regular version and suddenly the Pretty is actually the Regular version? We are always going to find faults with our faces, bodies, hair. I have days where I feel completely and utterly badass–strutting myself down the streets, feeling unstoppable. But the next day, a simple 16 hours later or so, another woman can feel the same way–strutting down the sidewalk past me–and totally shatter my self-esteem. Why doesn’t my winged eyeliner look that great? Are those honey-colored highlights? I should try that! She worked it so much better than me today, I’m a failure. These feelings flipflop, interchanging and always coming as a surprise. That woman, though, that made me question myself, was probably questioning herself just the other day too. She must have seen another woman online, in a magazine or person, who seemed to have it all and broke her self-confidence in one blink.

We are so hard on ourselves. A war wages before our eyes when we look in the mirror.

Taking Pretty opened up Evie, Krista, and Willow’s eyes and certainly the readers. I did not enter this book expecting such harsh, but at the same time optimistic commentary on women’s bodies in today’s world. Clark’s story is fresh and honest, it is not a simple remedy tale–in fact, indirectly she recommends taking a little dose of Pretty. Without knowing what our most perfect, most pretty self looks like–and thus the disaster that follows with that–how are we to appreciate our true selves?

At first, Evie felt self-conscious of the way her stomach bulged over the satin hot pants’ tiny waistband, the way her arms seemed heavy and thick in the sleeveless gold top. But none of the other early risers even gave her a second look. Not because she didn’t matter, Evie realized. Because in New York, everything was permissible. No one cared what you wore, how you looked. Only you cared about those things.

Her body was back. And she felt good about it (page 363-65).

 

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The Love that Split Me

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welcome to a book that is the epitome of the saying “never judge a book by its cover.” henry’s tale, what i expected to be a cliched, young adult love story, spins the storyline 180 degrees and forces the reader to turn every page, absorbing every word in order to clarify every painstaking detail henry provides.

i was not expecting more than half of what this book provides. every chapter brings a new twist, a new tiny blip in the plot that, though small to the readers, has major impact on the characters and what is happening between natalie and beau.

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The Love that Split the World by Emily Henry
Published by Razorbill on January 26th 2016
Genres: Contemporary, Romance, Heritage, Fantasy
Pages: 400
Source: Amazon // Goodreads // Barnes and Noble

Final Review 4 out of 5

★★★★☆

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natalie’s summer is running out. she has graduated high school and is ready to start her new, uninterrupted life at Brown. after changing the past year, she is eager to get away from the small town, Union, she calls home and everyone who inhabits it. however, grandmother returns, stopping natalie in her planned-out tracks.

born to a young, native american woman who wanted her daughter to have a better life outside of the reservation she lived on, natalie’s mother gives her up. natalie seems to have a normal life with her adopted family, but when she begins hallucinating in her sleep, seeing things she knows shouldn’t be there, and must go through intensive therapy in order to remove these images from her young brain, the reader realizes that natalie isn’t a normal teen. suddenly, the summer before her life is supposed to change, one of the main hallucinations to visit natalie over the years shows up again, three years after disappearing for what natalie thought was good. grandmother, natalie’s nickname for the old, weathered native american woman who resides in the rocking chair in the corner, informs her simply she has three months to save him.

what if there are two different Unions? what if there were two different versions of her best friend megan? ex-boyfriend matt? popular girl the reader loves to hate, rachel? everyone has a double in this overlapping dimension of union except for natalie and a strange boy, beau, who resides in the “other union.”

from there, the reader is bounced along on this tumultuous journey where natalie uncovers the secrets of union, beau, and herself.

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“I missed you,” she heard herself call to him–though was it possible to miss someone you didn’t know? (page 390).

honestly, this book would have gotten 5 out of 5 stars if i weren’t so biased about happy endings. naturally, i will strive to never give anything away, however the story does not end in the traditional sense of “happily ever after” which most of the time sends me over the edge. why can’t one small thing, as small as a book of 400 pages can be, end in happiness? is that too much to ask emily henry? now, this is certainly me being biased and a child because the ending does completely coincide with the entire over-arching plot. henry expertly adds in details of the native american people featured. there are creation stories and many other moments full of natalie’s heritage that i haven’t seen in any other young adult read. much like rainbow rowell’s book, Carry On, featuring the unorthodox two gay main characters, henry crosses the threshold of having an “ethnic main character” and creates a storyline unlike any other.

weaving her knowledge of native american tribes and stories, henry casts natalie as an adopted daughter with a troubled past. henry uses creation stories, as told by grandmother to natalie over the years, as clues for natalie to figure out what really is happening to her and her town. i’m not sure where henry obtained all of this information, or if it is correct to any specific tribe, but i can say that it surely is convincing. i was not expecting the creation stories and the journey they would take me on when purchasing this book.

of course there are romantic moments in the story, it isn’t all drama all the time. beau resides in the “other union” and their love seems not to be forbidden, but more impossible. their meeting is by chance, in a time where they both are unaware that there are other people who can jump through time and space. natalie only recently discovered her powers upon meeting beau, whereas beau has been jumping (for lack of a better word) since he was a young boy. but how are two people allowed to be together when they don’t live in the same world? without sounding like the 2006 hit movie, The Lake House starring sandra bullock and keanu reeves, henry creates an impossible world and has it actually make sense.

I don’t believe in love at first sight but maybe this is as close as it gets: seeing someone, a person you have no business loveing, on a football field one night and thinking, I want you to be mine and I want to be yours (page 183).

they can’t contact each other because cell phones can’t connect between realms. obviously even in this fictional world we are still having cell problems. as the summer continues and beau and natalie get nearer to their Closing, a time where they can no longer jump between dimensions, they begin to lose control of their powers. natalie is torn into different times without commanding it and beau can’t get into natalie’s world when he absolutely needs to. however, when the two are together, it really is magical. henry’s depiction of young and urgent love is spot on when it comes to these two.

It’s true that nothing has the potential to hurt so much as loving someone, but nothing heals like it either (page 235).

ouch, henry makes me want to cry with their such young and naive, but totally Gryffindor-like hearts. even though it certainly isn’t possible–crossing into dimensions and time traveling simply through a push and pull in one’s abdomen–beau and natalie are striking characters and my inner fangirl demands that they find a way to be together. cleverly enough, though the title was the first thing that swayed me towards buying this book, and assuming that i knew what it would be about, the title is quite accurate for what the story holds. we want a happy ending for natalie and beau, so in a way, their own creation story that could be featured in this book like the others slightly fantastical stories told. the title “the love that split the world” sounds like its own creation story, as if grandmother herself speaks directly to us when she tells this story.

if you are interested in a young adult book that is out of the box and far from ordinary, pick up henry’s The Love that Split the World. you will be blown away by her intelligence in a field some forget exist. she executes a perfect creation story of two young people, not only forced into the odd, but inevitable world of “growing up” but also the strange, parallel dimensions henry creates. natalie and beau’s struggle to fix their two worlds that are colliding ever so quickly into each other is palpable and you will fall in love with these two star-crossed lovers.

thank you emily henry for such a beautifully crafted edition to the teen reading section. i hope many other readers were as surprised as me by this small, earth-changing book.

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Welcome to my Museum of Heartbreak

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leder’s book has inspired me to create my own mini museum of heartbreak for this review. you can see different pieces of me, scattered across a handful of years, countries, and cities. this gifts came from friends, relatives, mentors, and exes have given me, as well as gifts to myself.

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The Museum of Heartbreak by Meg Leder
Published by Simon Pulse  on June 7th 2016
Genres: Contemporary, Romance, Teen Read
Pages: 288
Source: Amazon // Goodreads // Barnes and Noble

Final Review 5 out of 5

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penelope marx thinks she knows about love thanks to the many romantic stories she’s read. she knows what loving best friends are like, as seen in her two best friends ephraim and audrey, and what loving the new, mega-cool boy at school must be like. she comes to realize, though, that those ideals of love are simply that: ideal and not reality. when she actually gets the chance to date the new boy, his lips are chapped and he is actually kind of rude to her. audrey starts picking the mean girl over penelope and eph is always out dating a different girl.

she begins to realize that heartbreak is in her future, but not just from the new boy. there will be fights on subway platforms of new york, in the hallways of their school, in the natural history museum where her father works, and other scattered places around new york city; fights that involve her parents, her friends, her boyfriend, and everyone in between.

follow penelope as she learns to overcome one of the hardest obstacles we must all face at some point or another: heartbreak.

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once again, i am pretty speechless about a book, same as i was with han’s To All the Boys I’ve Loved Before. i’m speechless for different reasons, of course, but speechless nonetheless.

first and foremost, leder’s writing is utterly and completely captivating. i, and i’m sure many other creative writers, have been told countless times to “show and not tell” when it comes to our writing. there is something so lame and pointless in simply saying “the rain fell” when you could be saying something more beautiful, more poetic such as “the sky gave way to thousands of dancing droplets that heated up my skin in their tiny splotches” or something to that affect. well now times that by ten and you have leder’s voice. there are endlessly highlighted sentences and dog-eared cornered pages of this book that i keep turning back because why can’t i write like this?

Keats invited me to his party.

I wanted to hug the acne-ridden freshman passing by; I wanted to dance with the football dude laughing at a dirty joke across the hall. I wanted to burst into a full musical number, complete with a choir of singing unicorns and my cat, Ford, tap-dancing across the hall with a top hat and cane. I wanted to kiss a baby on the cheek, draw chalk tulips on the sidewalk, and buy grape popsicles for everyone in the city of New York.

Keats invited me to his party (page 68).

the story is ever so slightly cliched, but you know what, who cares? i still give it my whole five out of five stars because of leder’s writing style, characters, and storyline, though cliched yes, still captivates. truly captivates. i found myself loving each character in a different way: whether i was loving to hate the new love-interest keats (i mean come on, who doesn’t use chapstick these days? and seriously your shit with cherisse??) but also love to hate and pity and love eph because ugh eph. in a way i didn’t want the book to end how it did, but also cherished the ending as well. siiigh. i want a dreamboat, skateboarder, with beanies and long hair, and smooth lips, but also a coy smile cause he know’s–i don’t know what, but he know’s it.

He kissed me, and I thought of tearing mint leaves, of licking salt water off my lips, of the mornings you wake up heart alive, no alarm (page 140).

i found myself relating more and more to penelope as the book continued. we’re both literary nerds, we both fall in love with the wrong people at the wrong times, we put our trust into the wrong people as well, but still have close-knit group of friends that no matter who or what happens, we’re still friends. leder creates penelope to be a little like all of us–so we can see ourselves through her and her journey. we’ve all had to deal with heartbreak before, it’s one of the worst pains in the world by far, and somewhere deep we know that our heartbreak, at the ripe age of 22, is only just beginning. there’s going to be rejection letters from schools, boys or girls that decide they don’t like us anymore, a death, a disappointing parent or friend or mentor, even the inevitable end to a fantastic, noteworthy time in our lives: these are all cases of heartbreak we all encounter on a daily basis. leder simply broke it down into tender, charming little pieces for us to swallow and take with us as we curate our own museums of heartbreak.

It was Sunday, and I had never felt so pretty, so noticed, so delirious, like every part of me was light and perfumed and lovely (page 160).

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The End of the Summer Before Forever

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here’s a review that is actually on-time! melissa chamber’s new summer teen romance was just released yesterday so here is my review for it; i hope you enjoy.

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The Summer Before Forever by Melissa Chambers
Published by Entangled: digiTeen on August 22nd 2016
Genres: Contemporary, Romance, Young Adult
Pages: 274
Version: Digital Advanced Reader Copy
Source: Amazon // Goodreads // Barnes and Noble

Final Review 4 out of 5

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chloe drives herself, and of course her almost famous best friend jenna, to florida from her home in tennessee in order to live with her dad and his new finance for the summer. oh and her new almost step brother landon who turns out to be super hot.

while trying to understand her parents divorce and both of her parents dating other people now, chloe begins to see something in landon besides a bother. jenna decides chloe needs a summer bucket list that will end all summer bucket lists forever; this list will include things that are totally out of chloe’s comfort zone, but when landon wants to help out with the list, chloe comes around.

landon and chloe have their own challenges to face separately, but what if they decide they want to face them together? how would landon’s mom and chloe’s dad feel about how they aren’t feeling brotherly or sisterly at all–quite the opposite in fact. follow their journey as they try desperately to overcome these challenges of pain, family, and of course love.

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okay sooo i ended up falling in love with this novel. i started on shaky ground, since i read this after reading Kisses on a Paper Airplane. that novella left such a bad taste in my mouth that it transferred over, i think, into the beginning of this book. i was super hesitant while reading it, especially with the whole slight incestual relationship plot line that takes me back to shakespearean studies, but overall, to put it simply, i enjoyed this book!

i think those that enjoy fun, easygoing, but also suspenseful novel for the beach or end of summer shenanigans, will love chambers’ The Summer Before Forever. this book, though it didn’t really keep me guessing in the sense that i couldn’t figure out that the two characters could end up together in the end, but instead, they each developed their own, real-life problems that needed to be sorted out that i wasn’t expecting. most of the time, books that fit into this genre of young adult contemporary romance end in a cliche, the characters are too perfect, and everything reads like a poorly written copy of a nicholas sparks book/movie. however chambers’ story differs from that. chambers’ creates main characters, chloe, landon, and jenna, that bounce off of each other and complement each other in fantastic ways. landon, well every woman needs a landon in her life. he is sensitive, sweet, and caring, but also gorgeous–he’s definitely a reason to keep reading.

She looks up at me, and I catch her focusing on my dimple. I forget that thing’s there until I see a girl notice it (location 1581 on kindle).

though he, too, has a problem that is holding him back that i’m sure effects many other people that could be reading this book.

I stand and start counting them out. I’m somewhere around seven or eight when a kid behind me starts yelling at another kid, and I lose count, the numbers dissolving away in my brain. My face is hot, and I think beads of sweat are forming on my forehead (location 1253 on kindle).

and then there’s the main protagonist chloe. chloe is super intriguing to me because while she can come off as a cliche–the shy timid mouse compared to her slightly famous and super outgoing best friend jenna–she also has real moments too. chloe has problems at home with her dad and her parents divorce: this is a real life situation that impacts many of us. chloe is learning how to adapt to this new life that has been placed before her and everyone can relate to this whether it be because of a divorce, moving to a new town, losing someone, or anything.

Fear courses through my body as my stomach wrenches itself into knots. I’m basically a ragdoll in this dickhead’s arms. He could take me under that dock over there and rip off my clothes (location 364 on kindle).

i would say, slight disclaimer, that if you are looking for a good “bucket list” themed summer romance read, i would direct you to Since You’ve Been Gone by morgan matson. this one i felt captivated the whole summer bucket list theme much better than The Summer Before Forever did. i felt as if jenna’s bucket list was simply added to the plot to keep it going–now this worked out well for chambers because i did still enjoy the book and had a great time with the characters.

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The Rosewoods Ride: Review of the first book

1471556475902recently i did some googling and found that there are pretty awesome websites that allow someone to sign up and receive advanced reader copies of books in order to review them. one of these websites is NetGalley, so i became a professional reader (for free, i might add, and i am not getting paid for my reviews) for NetGalley and will now be posted reviews / discussions about the copies of books i’ve received (digitally) from them.

the first advanced reader copy i received, the same day i signed up too, which was pretty cool, is titled Taking the Reins and is part of a growing series called The Rosewoods.

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The Rosewoods: Taking the Reins by Katrina Abbott
Published by CreateSpace Independent Publishing Platform on June 1st 2016
Genres: Contemporary, Romance, Young Adult
Pages: 178
Version: Advanced Reader Copy
Source: Amazon // Goodreads // Barnes and Noble

Final Review 3.5 out of 5

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brooklyn prescott is not a normal girl. she comes from a family that lives in secret, thanks to their government job, and who only want the best for their son and daughter. so they ship brooklyn to the states for qaulity education at Rosewood Academy. a school glittering with wealthy socialites daughters, because naturally it is an all-girl school. that certainly doesn’t stop brooklyn or her friends she meets of course.

follow brooklyn on her journey as she reinvents herself for her new friends, as she figures out which boy is the cutest and most with her time, struggles with her horseback riding, and staying out of the dean’s way all in Katrina Abbott’s quirky and inviting language.

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i am giving the first book to this series a 3.5 out of 5 because there were things that did not flow well for me, but also things that i really did enjoy. i started and completed the book in one sitting during the span of one day, which is to say that it is an easy read and i was expecting this.

what i didn’t enjoy happened the most in the beginning. i understand, since i am a write myself, that it is hard to balance the amount of background information to give the reader versus the actions that are taking place at the moment the reader steps into the scene. it felt as if Abbott provided too much background information regarding the main character, brooklyn prescott’s, previous living situation, family, hobbies, etc. all of that seemed rather forced in the beginning, and although i would agree that it is necessary (for the most part), it could have come out a little more nicer. for example, brooklyn mentions her relationship with an older brother, robert, though that takes up some space in the beginning, he is never mentioned again. i’d like to repeat, though, that this is the first book in the series and so for all i know robert could and most likely does come up again in the proceeding editions. furthermore, brooklyn’s parents are total cia, fbi, international spies and while they have a super cool-sounding job, they nor their job are ever touched on after the first few chapters. if they are going to have that interesting of a life without brooklyn in it, then why bother mentioning it? like i said, perhaps this comes up later in the series, but for the first book, a lot of information is thrown at the reader to digest that isn’t brought up later.

what i did love about the book coincides with another small caveat to what i didn’t like. i grew to totally love the  characters, particularly the male characters.i fell right into step with brooklyn’s descriptions of both will (or dave) and brady. i could feel the tension between her and her different male counterparts, as well as the tension between friends when a boy was involved. clearly the boys of Westwood, brooklyn’s brother school to her all-girl academy, are very crucial to Abbott’s story. however, this plays into what i, with a bias i will admit, dislike. i am not the type of person that loves a series, and the fact that The Rosewoods series is ten books long, loosens my enjoyment of them. what i wanted was for the relationships to be wrapped in a nice bow and completed and the end, to make me feel all warm and fuzzy inside. however, abbott has other plans and leaves her story, naturally, on a cliffhanger. since the book didn’t take me long to finish, reading the next nine shouldn’t be too difficult…

“How’s this: ‘I had a great time with you last night, too, Jared. Except that when I got back to my dorm, I realized my favorite panties were gone. So today, I just couldn’t bring myself to wear any at all.”

His eyes didn’t move from mine, but he swallowed audibly (location 1930 on kindle).

i think readers who enjoy any young adult romance will enjoy this book. as i’ve mentioned before, it is an easier read so it’s perfect for the beach or a rainy day with nothing else to do. abbott’s character dialogue and brooklyn’s personality will have you turning the page over and over again, sucking in the prestigious lifestyle we all wish we could live. i thoroughly enjoyed and look forward to reading more of abbott’s work.

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Bitter Romance, Bitter Family: Review of Vinegar Girl

good morning friends! at least for those that it is still morning. trying to continue my adventures in posting a review every, single day (trust me i already almost forgot about that today!), here is another review!

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Vinegar Girl by Anne Tyler
Published by Hogarth Shakespeare on June 21st 2015
Genres: Contemporary, Romance, Family
Pages: 240
Source: Amazon // Goodreads // Barnes and Noble

Final Review 3.5 out of 5

 

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Kate Battista is the head of her house but not by choice. her younger, high-school aged sister, bunny, is more interested in boys than her family and their father is a hardwokring, but slightly crazed scientist. when he comes to his eldest daughter about a problem at work, he wants kate’s help in something she doesn’t think she could do: marriage.

mr. battista’s prized assistant is about to be booted out of the country because his visa is up. however, if he finds a woman to marry him, his green card will stay in tact and mr. battista can continue the scientific breakthrough he claims he’s having. kate, feeling like she is in a rut, contemplates the idea of helping her family, or herself.

taking on the infamous Taming of the Shrew by none other than shakespeare himself, tyler puts a modern spin on the classic play.

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alright so i really wanted to like this book. i really wanted to. The Taming of the Shrew is such a classic play and one really cannot grasp shakespeare’s portrayl of women without reading that play. there have been a few modern reconstructions of the performance, the first, and probably best that comes to mind is the movie 10 Things I Hate About You starring the late heath ledger and julia stiles. to say that i heart that movie would be an understatement. so i was very excited when i discovered this hogarth shakespeare and their modern adaptations of the centuries-old plays. however, tyler’s rendition left me slightly unsatisfied–but in a good way.

allow me to explain. [please note: this might be considered spoilers] if you haven’t read the original play, please do, you will not only understand me better as a person, but also better your life. that being said, the play has much controversy over what katherine does to herself. she willingly submits to a brute and marries him, seemingly silencing her forever. (thats the short version obviously). now, in tyler’s rendition, it seems that her kate does something similar.

in the age of third-wave feminism and everyone talking on facebook about women’s rights (the fact that we’re about to potentially have a female president) it’s only fitting that this modern retelling would have the opposite ending that the play portrays. however, it doesn’t. i was disappointed in kate’s decision to marry the lab assistant instead of doing what she wants–much like how the katherine in the play does. so perhaps i am upset because tyler did exactly what shakespeare did: allow us to question the role women play in families and marriages.

on the other hand, and the bright side, tyler’s writing style is elegant and soft. it wasn’t a difficult read, however it didn’t fully suck me in either. perhaps this is because of i wasn’t too enthralled with any of the characters. bunny is supposed to be annoying and tyler captures this well–she doesn’t care about her family at all until what seems like it’s too late. mr. battista is a groveling father who also doesn’t care about his family, just his research, leaving his young daughters to not only take care of themselves, but also him. pyotr, the foreign lab assistant, is just that: foreign. he doesn’t seem to understand the social graces and concepts of the battista’s home and village and america in general. he is forward and only slightly charming. when i have romantic characters, i want them to be charming and fire-y and yet neither pyotr nor kate are those things. finally kate is submissive and nonchalant. she doesn’t seem to care, not about her family, but about herself. she only aims to please her family and those around her, which is not necessarily an endearing quality.

She walked into work every day feeling starkly, conspicuously alone. It seemed that everyone else on the street had someone to keep them company. someone to laugh with and confide in and nudge in the ribs…Kate pretended not to hear. If she ducked her head low enough, her hair would swing forward so it completely hid her profile (page 71).

so i wasn’t that impressed with Vinegar Girl, but i did still enjoy the read while finding it challenging and true to the original. it was easy enough, short enough, that i could have finished it in a day if i felt that it suck me in, but it didn’t really so i did struggle with that. i would still recommend it of course, especially to those who are shakespeare lovers like myself. to read a modern interpretation is to allow oneself to remember and relive the first and original story. it’s a beautiful thing.

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Where have you been Morgan Matson? Review of Since You’ve Been Gone

now that i’m going to try cranking out one review a day, at least until i’m caught up on all the books i’ve read and completed before starting this website, it’s time for the next review!

today i’ll be talking about morgan matson’s contemporary young adult novel Since You’ve Been Gone.

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Since You’ve Been Gone by Morgan Matson
Published by Simon & Schuster Books for Young Readers on May 5th 2015
Genres: Contemporary, Death & Dying, Fantasy, Fiction, Young Adult
Pages: 480
Source: Amazon // Goodreads // Barnes and Noble

Final Review 5 out of 5

 

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emily and sloane have been best friends for the past two years. this is not in the traditional sense at all–sloane, being the upfront, approachable, and popular friend of the two, has always been emily’s lead. since emily is more timid, introverted, and shy when it comes to live, she follows sloane’s lead. the two are content with their lifestyle and couldn’t see their friendship going any other way. but what happens when sloane randomly disappears? emily is left with heartbreak, betrayal, and a list. a list of thirteen things sloane leaves for her best friend to accomplish.

emily sets out on a wild adventure covering the length of one summer, the summer sloane leaves her, to finish the list. it has simple tasks like “apple picking at night” which is easy enough with their nearby apple orchard. but what about “skinny-dipping” or “kiss a stranger”? what was sloane thinking giving her a list full of  impossible tasks? while emily figures out the means to complete her list, she unexpectedly befriends a classmate, frank, and his best friend, collins, along with a pizza-delivery girl, dawn. the four work on making emily’s summer unforgettable even though it seems like her once best friend has forgotten about her.

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Since Sloane had come to town, I’d happily existed by her side. People called out to her by name and waved at me, and I had a feeling that the majority of my class would, like the landscaping guy, identify me as “That girl who’s always with Sloane Williams” or something along those lines. And I never minded–even just being Sloane’s friend made me much more interesting than I ever would have been on my own (page 41).

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okay to start i just want to say how much i loooved this book. i was slightly skeptical at first, wondering if it was going to turn into a murder mystery right before my eyes but really, wholeheartedly, i loved this fun, easy-going yet emotional book! i was gasping at points, half-crying at others, and chuckling throughout. i have never read one of matson’s books before so it’s safe to say that i am now excited to read her other books like Unexpected Everything or Second Chance Summer. 

matson’s voice is classic when it comes to the genre she’s writing in, but that’s okay! i wouldn’t want a emily to be a deep, brooding narrator because that’s not how she is at all. what makes matson stand out, though, is her ability to write such benign scenes and make each and every one important. for example, the countless scenes were emily and frank run together, especially in the beginning when the audience hasn’t really seen any action yet. instead of these scenes dragging on, seeming to be useless, matson creatively puts something unique into each of these scenes, something vital if you will, that allows the reader to keep up with the pace without skipping ahead.

Frank looked straight ahead, and we didn’t speak for a few minutes, and I wondered if I’d overstepped, made things worse when I was trying to make them better (page 160).

i suppose really the only thing i didn’t like, which is answered in my copy of the book which has bonus content, is some of the plot lines but this is to be expected! to say that my disappointment in pieces of the plot isn’t really matson’s fault i mean that as a writer, i understand there is only so much we can put into a book. i felt that the storyline between dawn and collins alongside frank and emily could have been a little more well-rounded and tied up. perhaps, though, this would make the book too perfect, taking away some of its realistic qualities. the fact that emily loses friends is extremely realistic: we all have to move at some point, switch schools, face challenges in relationships that lead us to separate ways from our once long-time friends. this happens to everyone at some point, so the fact that emily faces it so boldly, unabashed by it, it gives us power to do the same. i recently had to say goodbye to many close friends i made while at college and it’s heartbreaking to know that instead of only two blocks away, i’m now 4,000 miles away. our relationship will never be the same and it takes courage to identify that and even more to cope with it and change it. it takes scheduling and fights to random texts and finally happiness once two friends can reunite after separation, whether physical or mentally.

the book didn’t take me long to read at all–just a few days–which i love so i can set out on a new adventure, in a new world, with new characters. but don’t get me wrong, i’m not going to forget emily and frank, or sloane any time soon. in fact, i’ve dogeared a few scenes that inspired my own scenes for my own novel. that’s how good i think matson is at creating relationships both romantically and simple friendship.

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