Take One Drop of Pretty, and Call Me in the Morning

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wow. just, wow. I cannot get over this book. I am totally blown away by how unassuming Clark’s book is, resting neatly on the shelf in barns and noble where I purchased it, only to completely mind-fuck me with each page turn.

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The Regulars by Georgia Clark
Published by Atria/Emily Bestler Books on August 2nd 2016
Genres: Contemporary, Feminism, Friendship, Romance, Beauty
Pages: 400
Source: Amazon // Goodreads // Barnes and Noble

Final Review 5 out of 5

★★★★★

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Picture that episode of Sherlock where the victims of an unknown cause of death are to choose from two pills: one will kill you, the other lets you live. Now, The Regulars is certainly not that dramatic, but the choice of poison is still there. Would you drink a drop of Pretty, a powerful “drug” that once swallowed, turns the user into their most perfect, beautiful, “pretty” self.

Three friends, roommates Evie Selby and Krista Kumar, along with Willow Hendrickson, have been friends since their college days. Naturally living in NYC as three, young, talented, but unrecognized women can be difficult and bills need to be paid. Evie works at Salty, a magazine that seems loosely based on our world’s Cosmo. She is a lowly editor (wait, I want that job), but has dreams of writing big league stories on real women’s issues. Krista is a law-school dropout turned aspiring actress. She cannot seem to catch an acting break though and owes Evie quite a few dollars in bills. Finally, there’s Willow, who actually needs no help financially seeing as her father is a famous movie producer. She, instead, needs help finding her own, personal path of art without the help, and support, of her father.

When Krista is approached by an old classmate, whom she doesn’t recognize, and given a strange purple vial containing a liquid called “Pretty” the three girl’s lives will change. Pretty turns each user into their truest, best, most popular and overall prettiest self. It sheds pounds, gray hairs, unwanted overly large noses, and more. It changes hair color, length and texture, eye color, removes blemishes and even tattoos. It truly creates a person who is worthy of fashion magazines and prom queen titles.

Each woman takes Pretty for a different reason and therefore create their alter-egos. Krista becomes Lenka Penka, a beautiful aspiring actress who needs a new agent and new movie. Evie becomes Chloe Fontaine, a new face for Salty‘s new live show Extra Salty where Evie hopes to influence people politically. And Willow turns into Caroline for the simple reason of trying it. She later develops a method to her madness in using Caroline as a model in her photographs.

Love interests bloom, careers expand, and overall good things happen to those that are pretty, all while the three aren’t really themselves. So why bother going back? Why not have it all? The brains and personality of a Regular but the look and taste of a Pretty? Who’s even stopping them? They are young and hungry women, eager to make a name for themselves in the big city and they have a secret potion that is going to get them there.

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Take this fanart  “There’s no such thing as ugly”; I understand the message they are trying to send–a classic case of “everyone and everything is beautiful” and while they’re not wrong in wanting to believe that, Clark’s characters echo through my mind.

In a rational world, a hopeful world, there wouldn’t be anything described as ugly, but on a realistic level, there are many, many things holding that description and it doesn’t even have to be women! Certain Lularoe legging patterns, the world’s ugliest dog [okay, but all dogs are cute, right?], insects, deep-sea creatures, those toaster cars, the lovely and inevitable acne, and the list continues. It is horrendous that “ugly” is commonly used to describe people or features of a person whether it be their hair or their personality. So instead of writing another tale about women’s bodies through rose-colored glasses, Clark writes about the good, the bad, and of course, the ugly.

If you are interested in a refreshing tale that will completely take you by surprise, then I suggest you picking up this pink book. Sitting perfectly on the shelf, just like a little jar of Pretty, it screams simple but edgy, it has something to say and boy does Clark say it.

Evie’s, or should I say Chloe’s, makeup artist at Extra Salty, Marcello, asks the question Clark poses:

“Does that annoy you?” Marcello asked, dotting Evie’s skin with foundation. “The fact you’re not in charge of how you look?” (page 256)

Aren’t we all a little annoyed that we can painstakingly work on profiles, lip proportions, chin jut outs on a Sim character, but not on ourselves? Of course, we are! We’re realists! Someone is always going to want bigger boobs, less bushy eyebrows, curlier hair, and the opposites to go with those. So, of course, we’re mad that with a snap of fingers, our face is rid of acne, age spots, dark spots, scars, wrinkles, and anything else women are told is ugly. But of course, we can’t do that. There is no magic pill, serum, or drink; this isn’t Wonderland and we aren’t Alice. We are real and our “ugly” features are real too; they are a part of us. And when we take those away, are we really us anymore?

Evie doesn’t seem to think so when she becomes Chloe Fontaine for the first time, but she brushes it away quickly:

The most unusual inclusions were two subtractions: first, she no longer needed glasses…And second, her tattoo was gone. This struck her as odd: she was fond of her tat, but the ink had spread over the years and was sun-faded. By comparison, the space where it used to be on her forearm resembled pristine carved marble (page 94).

Two vital parts of her are missing: first, her glasses, a necessary accessory that she had been wearing since 10 years old, and then her tattoo, a permanent piece of art that she chose to get for some reason at some point, was now missing. Sure these are minor, and in a way, we have the availability to rid ourselves of poor eyesight (contacts, laser eye surgery) and bad tattoos (tattoo removal i.e. a saw), but Evie didn’t necessarily see either of those features as ugly but the Pretty did and in order for her to become her perfect self, she must be rid of anything ugly–including things that made her feel pretty at one point.

I myself have 5 tattoos, all that have deep meaning to me. The reader doesn’t know what Evie’s tattoo is, but it begs the question of whether or not tattoos are “pretty” enough to be included in someone’s Pretty form. Clearly, Evie’s wasn’t.


Moving on from Evie, Willow/Caroline is probably my favorite character in the story. Although Evie seems to dominate Clark’s world, Willow, to me, seems the most relatable. Evie is a pronounced feminist and woman-rioter. She has short hair, is a blogger, and denounces her Cosmopolitain-like magazine. Krista, on the other hand, is extremely bubbly and overall annoying. She only thinks of herself when taking the Pretty (well, I suppose all three women only think of themselves when taking the Pretty…) and doesn’t seem to want to do any good with it. Finally, there’s Willow, who although she doesn’t use her new beauty for good, per se, the reader watches as Pretty completely shuts her down–a normal reaction I presume to such an addictive and overwhelming drug.

She notes spot on that by becoming Caroline, this alter-ego of herself, she isn’t Willow anymore. It doesn’t bother her that she is no longer the daughter or friend or girlfriend people in her life care for because now she can feel like a “normal” person in the world; her anxiety and depression don’t cripple her on a daily basis–she can create a person who doesn’t have any mental illness at all and this is exactly what she does.

There was something about being Caroline that was so incredibly freeing. Caroline didn’t carry herself with an invisible shield. Sometimes Willow felt like she was always conducting two conversations with the world: the one that was spoken out loud, and the one she carried with her, inside her head. Caroline wasn’t like that. Caroline didn’t hide her body. Caroline didn’t double-check her statements to make sure they sounded smart. Caroline knew how to flirt. Caroline was liberated (page 202-03).

Willow as Caroline, of course, makes mistakes–all of the girls do. She does stupid things, ranging from completely ignoring her two best friends for days on end to flirting with her own boyfriend as a different person. All of this is in the name of art, though. Her photography is what separates her from her father’s Hollywood movies and her friends “adult” careers. She finds peace in her photography, so imagine the inner peace she gets from being Caroline and taking pictures? This all spirals out of control, obviously, and Caroline starts to take over. Who are the girls now without their alter-egos? What if they decide to never be their old selfs again?

“And I know you think makeup sets an unrealistic standard and yadda yadda yadda, but the way I see it, I’m just helping people bring out their inner goddess. I can’t make you beautiful, Chloe. I can just help you see, with a little color here and a little color there, that you are already beautiful” (page 257).

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Being Regular wasn’t enough though for the three women and others in New York who are taking Pretty. Though Marcello’s words resonate with all of us, and Evie when he tells her this, their beauty standards are still impeccably high. Once Evie and Krista transform into Chloe and Lenka respectively for the second time, they notice that some features are not as elegant or brilliant as before from their first transformation. Krista/Lenka’s eyes are not as sea-green and Evie/Chloe’s chin juts out a little more than she remembered. Is this the beginning of the Pretty becoming the Regular? If taken so many times, what is to say that the Pretty version completely takes over the Regular version and suddenly the Pretty is actually the Regular version? We are always going to find faults with our faces, bodies, hair. I have days where I feel completely and utterly badass–strutting myself down the streets, feeling unstoppable. But the next day, a simple 16 hours later or so, another woman can feel the same way–strutting down the sidewalk past me–and totally shatter my self-esteem. Why doesn’t my winged eyeliner look that great? Are those honey-colored highlights? I should try that! She worked it so much better than me today, I’m a failure. These feelings flipflop, interchanging and always coming as a surprise. That woman, though, that made me question myself, was probably questioning herself just the other day too. She must have seen another woman online, in a magazine or person, who seemed to have it all and broke her self-confidence in one blink.

We are so hard on ourselves. A war wages before our eyes when we look in the mirror.

Taking Pretty opened up Evie, Krista, and Willow’s eyes and certainly the readers. I did not enter this book expecting such harsh, but at the same time optimistic commentary on women’s bodies in today’s world. Clark’s story is fresh and honest, it is not a simple remedy tale–in fact, indirectly she recommends taking a little dose of Pretty. Without knowing what our most perfect, most pretty self looks like–and thus the disaster that follows with that–how are we to appreciate our true selves?

At first, Evie felt self-conscious of the way her stomach bulged over the satin hot pants’ tiny waistband, the way her arms seemed heavy and thick in the sleeveless gold top. But none of the other early risers even gave her a second look. Not because she didn’t matter, Evie realized. Because in New York, everything was permissible. No one cared what you wore, how you looked. Only you cared about those things.

Her body was back. And she felt good about it (page 363-65).

 

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Welcome to my Museum of Heartbreak

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leder’s book has inspired me to create my own mini museum of heartbreak for this review. you can see different pieces of me, scattered across a handful of years, countries, and cities. this gifts came from friends, relatives, mentors, and exes have given me, as well as gifts to myself.

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The Museum of Heartbreak by Meg Leder
Published by Simon Pulse  on June 7th 2016
Genres: Contemporary, Romance, Teen Read
Pages: 288
Source: Amazon // Goodreads // Barnes and Noble

Final Review 5 out of 5

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penelope marx thinks she knows about love thanks to the many romantic stories she’s read. she knows what loving best friends are like, as seen in her two best friends ephraim and audrey, and what loving the new, mega-cool boy at school must be like. she comes to realize, though, that those ideals of love are simply that: ideal and not reality. when she actually gets the chance to date the new boy, his lips are chapped and he is actually kind of rude to her. audrey starts picking the mean girl over penelope and eph is always out dating a different girl.

she begins to realize that heartbreak is in her future, but not just from the new boy. there will be fights on subway platforms of new york, in the hallways of their school, in the natural history museum where her father works, and other scattered places around new york city; fights that involve her parents, her friends, her boyfriend, and everyone in between.

follow penelope as she learns to overcome one of the hardest obstacles we must all face at some point or another: heartbreak.

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once again, i am pretty speechless about a book, same as i was with han’s To All the Boys I’ve Loved Before. i’m speechless for different reasons, of course, but speechless nonetheless.

first and foremost, leder’s writing is utterly and completely captivating. i, and i’m sure many other creative writers, have been told countless times to “show and not tell” when it comes to our writing. there is something so lame and pointless in simply saying “the rain fell” when you could be saying something more beautiful, more poetic such as “the sky gave way to thousands of dancing droplets that heated up my skin in their tiny splotches” or something to that affect. well now times that by ten and you have leder’s voice. there are endlessly highlighted sentences and dog-eared cornered pages of this book that i keep turning back because why can’t i write like this?

Keats invited me to his party.

I wanted to hug the acne-ridden freshman passing by; I wanted to dance with the football dude laughing at a dirty joke across the hall. I wanted to burst into a full musical number, complete with a choir of singing unicorns and my cat, Ford, tap-dancing across the hall with a top hat and cane. I wanted to kiss a baby on the cheek, draw chalk tulips on the sidewalk, and buy grape popsicles for everyone in the city of New York.

Keats invited me to his party (page 68).

the story is ever so slightly cliched, but you know what, who cares? i still give it my whole five out of five stars because of leder’s writing style, characters, and storyline, though cliched yes, still captivates. truly captivates. i found myself loving each character in a different way: whether i was loving to hate the new love-interest keats (i mean come on, who doesn’t use chapstick these days? and seriously your shit with cherisse??) but also love to hate and pity and love eph because ugh eph. in a way i didn’t want the book to end how it did, but also cherished the ending as well. siiigh. i want a dreamboat, skateboarder, with beanies and long hair, and smooth lips, but also a coy smile cause he know’s–i don’t know what, but he know’s it.

He kissed me, and I thought of tearing mint leaves, of licking salt water off my lips, of the mornings you wake up heart alive, no alarm (page 140).

i found myself relating more and more to penelope as the book continued. we’re both literary nerds, we both fall in love with the wrong people at the wrong times, we put our trust into the wrong people as well, but still have close-knit group of friends that no matter who or what happens, we’re still friends. leder creates penelope to be a little like all of us–so we can see ourselves through her and her journey. we’ve all had to deal with heartbreak before, it’s one of the worst pains in the world by far, and somewhere deep we know that our heartbreak, at the ripe age of 22, is only just beginning. there’s going to be rejection letters from schools, boys or girls that decide they don’t like us anymore, a death, a disappointing parent or friend or mentor, even the inevitable end to a fantastic, noteworthy time in our lives: these are all cases of heartbreak we all encounter on a daily basis. leder simply broke it down into tender, charming little pieces for us to swallow and take with us as we curate our own museums of heartbreak.

It was Sunday, and I had never felt so pretty, so noticed, so delirious, like every part of me was light and perfumed and lovely (page 160).

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The Rosewoods Ride: Review of the first book

1471556475902recently i did some googling and found that there are pretty awesome websites that allow someone to sign up and receive advanced reader copies of books in order to review them. one of these websites is NetGalley, so i became a professional reader (for free, i might add, and i am not getting paid for my reviews) for NetGalley and will now be posted reviews / discussions about the copies of books i’ve received (digitally) from them.

the first advanced reader copy i received, the same day i signed up too, which was pretty cool, is titled Taking the Reins and is part of a growing series called The Rosewoods.

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The Rosewoods: Taking the Reins by Katrina Abbott
Published by CreateSpace Independent Publishing Platform on June 1st 2016
Genres: Contemporary, Romance, Young Adult
Pages: 178
Version: Advanced Reader Copy
Source: Amazon // Goodreads // Barnes and Noble

Final Review 3.5 out of 5

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brooklyn prescott is not a normal girl. she comes from a family that lives in secret, thanks to their government job, and who only want the best for their son and daughter. so they ship brooklyn to the states for qaulity education at Rosewood Academy. a school glittering with wealthy socialites daughters, because naturally it is an all-girl school. that certainly doesn’t stop brooklyn or her friends she meets of course.

follow brooklyn on her journey as she reinvents herself for her new friends, as she figures out which boy is the cutest and most with her time, struggles with her horseback riding, and staying out of the dean’s way all in Katrina Abbott’s quirky and inviting language.

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i am giving the first book to this series a 3.5 out of 5 because there were things that did not flow well for me, but also things that i really did enjoy. i started and completed the book in one sitting during the span of one day, which is to say that it is an easy read and i was expecting this.

what i didn’t enjoy happened the most in the beginning. i understand, since i am a write myself, that it is hard to balance the amount of background information to give the reader versus the actions that are taking place at the moment the reader steps into the scene. it felt as if Abbott provided too much background information regarding the main character, brooklyn prescott’s, previous living situation, family, hobbies, etc. all of that seemed rather forced in the beginning, and although i would agree that it is necessary (for the most part), it could have come out a little more nicer. for example, brooklyn mentions her relationship with an older brother, robert, though that takes up some space in the beginning, he is never mentioned again. i’d like to repeat, though, that this is the first book in the series and so for all i know robert could and most likely does come up again in the proceeding editions. furthermore, brooklyn’s parents are total cia, fbi, international spies and while they have a super cool-sounding job, they nor their job are ever touched on after the first few chapters. if they are going to have that interesting of a life without brooklyn in it, then why bother mentioning it? like i said, perhaps this comes up later in the series, but for the first book, a lot of information is thrown at the reader to digest that isn’t brought up later.

what i did love about the book coincides with another small caveat to what i didn’t like. i grew to totally love the  characters, particularly the male characters.i fell right into step with brooklyn’s descriptions of both will (or dave) and brady. i could feel the tension between her and her different male counterparts, as well as the tension between friends when a boy was involved. clearly the boys of Westwood, brooklyn’s brother school to her all-girl academy, are very crucial to Abbott’s story. however, this plays into what i, with a bias i will admit, dislike. i am not the type of person that loves a series, and the fact that The Rosewoods series is ten books long, loosens my enjoyment of them. what i wanted was for the relationships to be wrapped in a nice bow and completed and the end, to make me feel all warm and fuzzy inside. however, abbott has other plans and leaves her story, naturally, on a cliffhanger. since the book didn’t take me long to finish, reading the next nine shouldn’t be too difficult…

“How’s this: ‘I had a great time with you last night, too, Jared. Except that when I got back to my dorm, I realized my favorite panties were gone. So today, I just couldn’t bring myself to wear any at all.”

His eyes didn’t move from mine, but he swallowed audibly (location 1930 on kindle).

i think readers who enjoy any young adult romance will enjoy this book. as i’ve mentioned before, it is an easier read so it’s perfect for the beach or a rainy day with nothing else to do. abbott’s character dialogue and brooklyn’s personality will have you turning the page over and over again, sucking in the prestigious lifestyle we all wish we could live. i thoroughly enjoyed and look forward to reading more of abbott’s work.

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Professional Sequence in Editing Haul

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instead of posting my review of A Court of Thorns and Roses today (which is coming along!) i decided that i couldn’t really call this a lit major’s bookshelf without talking about some lit major things.

this past month i enrolled in UC Berkeley’s Professional Sequence in Editing certificate program and i am very anxious to begin in september. i already ordered all the books i would need for the four courses, even though i’m only taking the first two this semester and then the last two in the spring. i figured what better way to showcase what being a literature major is all about than to show you the course materials i need to get my certificate in editing.

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for the courses i need only four books, but i figured there was no fun in taking pictures of only four books, so instead i gathered all of my editing-related books and did this shoot. here are the books i’ve included, starting with the first four that i need for school:

now to the passerby, these are certainly not as interesting as say my haul of young adult books or my reviews and that is partly true. these books come with the boding sense of impending school ahead–a feeling i both love and hate. school to me is a sanctuary, a separate space for the intense learning that i crave on a daily basis. however, school is also a lot of work, as most of us know, and knowing that i need such large and in charge books for a simple certificate program is scary. however, some of these books, like The Subversive Copy Editor or the Grammar Girl’s collection are quite silly and entertaining to read. they are each written in a style that is easy to understand and follow and that slightly excites the reader to read on.

now of course there is a copy of the dictionary and the chicago manual of style which are not as fun to read–i am deathly afraid of the CMS and am not looking forward to having to learn in.

but these books are for my career–they are not supposed to be here for my enjoyment. it helps, though, that i am interested in the topic and am excited to begin classes. one day, hopefully soon, i’ll be a recognized editor who still does my own novel writing and book reviewing. this certificate is just the next stepping stone.

if you have any questions regarding editing program (i’ve basically looked at them all) or what it’s like to be a starving copyeditor, then please don’t refrain from asking. i only know as much as i tell people i know–which isn’t a lot, but i still like to chat about editing to anyone who’s interested!

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Where have you been Morgan Matson? Review of Since You’ve Been Gone

now that i’m going to try cranking out one review a day, at least until i’m caught up on all the books i’ve read and completed before starting this website, it’s time for the next review!

today i’ll be talking about morgan matson’s contemporary young adult novel Since You’ve Been Gone.

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Since You’ve Been Gone by Morgan Matson
Published by Simon & Schuster Books for Young Readers on May 5th 2015
Genres: Contemporary, Death & Dying, Fantasy, Fiction, Young Adult
Pages: 480
Source: Amazon // Goodreads // Barnes and Noble

Final Review 5 out of 5

 

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emily and sloane have been best friends for the past two years. this is not in the traditional sense at all–sloane, being the upfront, approachable, and popular friend of the two, has always been emily’s lead. since emily is more timid, introverted, and shy when it comes to live, she follows sloane’s lead. the two are content with their lifestyle and couldn’t see their friendship going any other way. but what happens when sloane randomly disappears? emily is left with heartbreak, betrayal, and a list. a list of thirteen things sloane leaves for her best friend to accomplish.

emily sets out on a wild adventure covering the length of one summer, the summer sloane leaves her, to finish the list. it has simple tasks like “apple picking at night” which is easy enough with their nearby apple orchard. but what about “skinny-dipping” or “kiss a stranger”? what was sloane thinking giving her a list full of  impossible tasks? while emily figures out the means to complete her list, she unexpectedly befriends a classmate, frank, and his best friend, collins, along with a pizza-delivery girl, dawn. the four work on making emily’s summer unforgettable even though it seems like her once best friend has forgotten about her.

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Since Sloane had come to town, I’d happily existed by her side. People called out to her by name and waved at me, and I had a feeling that the majority of my class would, like the landscaping guy, identify me as “That girl who’s always with Sloane Williams” or something along those lines. And I never minded–even just being Sloane’s friend made me much more interesting than I ever would have been on my own (page 41).

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okay to start i just want to say how much i loooved this book. i was slightly skeptical at first, wondering if it was going to turn into a murder mystery right before my eyes but really, wholeheartedly, i loved this fun, easy-going yet emotional book! i was gasping at points, half-crying at others, and chuckling throughout. i have never read one of matson’s books before so it’s safe to say that i am now excited to read her other books like Unexpected Everything or Second Chance Summer. 

matson’s voice is classic when it comes to the genre she’s writing in, but that’s okay! i wouldn’t want a emily to be a deep, brooding narrator because that’s not how she is at all. what makes matson stand out, though, is her ability to write such benign scenes and make each and every one important. for example, the countless scenes were emily and frank run together, especially in the beginning when the audience hasn’t really seen any action yet. instead of these scenes dragging on, seeming to be useless, matson creatively puts something unique into each of these scenes, something vital if you will, that allows the reader to keep up with the pace without skipping ahead.

Frank looked straight ahead, and we didn’t speak for a few minutes, and I wondered if I’d overstepped, made things worse when I was trying to make them better (page 160).

i suppose really the only thing i didn’t like, which is answered in my copy of the book which has bonus content, is some of the plot lines but this is to be expected! to say that my disappointment in pieces of the plot isn’t really matson’s fault i mean that as a writer, i understand there is only so much we can put into a book. i felt that the storyline between dawn and collins alongside frank and emily could have been a little more well-rounded and tied up. perhaps, though, this would make the book too perfect, taking away some of its realistic qualities. the fact that emily loses friends is extremely realistic: we all have to move at some point, switch schools, face challenges in relationships that lead us to separate ways from our once long-time friends. this happens to everyone at some point, so the fact that emily faces it so boldly, unabashed by it, it gives us power to do the same. i recently had to say goodbye to many close friends i made while at college and it’s heartbreaking to know that instead of only two blocks away, i’m now 4,000 miles away. our relationship will never be the same and it takes courage to identify that and even more to cope with it and change it. it takes scheduling and fights to random texts and finally happiness once two friends can reunite after separation, whether physical or mentally.

the book didn’t take me long to read at all–just a few days–which i love so i can set out on a new adventure, in a new world, with new characters. but don’t get me wrong, i’m not going to forget emily and frank, or sloane any time soon. in fact, i’ve dogeared a few scenes that inspired my own scenes for my own novel. that’s how good i think matson is at creating relationships both romantically and simple friendship.

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Nostalgia at it’s finest: Review of Harry Potter and the Cursed Child

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what better way to start off my new website reviews than with the highly coveted Harry Potter and the Cursed Child? such a fitting way to profess my love of young adult literature and newfound talent in review-writing.

a bit of background if you don’t mind (and if you do, then place skip on ahead. this is a free country after all). brace yourself: i was never into harry potter as a child. GASP! UNFOLLOW! I HATE HER! i get it. i’m a horrible person and therefore have no right to review the next chapter in the series. however! i do think that this is my website–last time i checked–and have within the past five years read the seven book series multiple times. i enjoy the movies, owning the 8-bluray collection. i have even been to harry potter world in two different countries. the first, obviously the wonderful wizarding world of harry potter in orlando, florida BUT! also, the making of harry potter at the warner brothers studio in the united kingdom. so to say that i am a fan, though late, is an accurate statement.

i sought out this book the day it was released from my local barnes and nobles and was pleasantly surprised, but also fearful, at how “instock” they were. i didn’t have to bargain with the manager for the last copy, nor have to fight some fan-girl in glasses. instead, i walked right up to an overflowing display, plucked a copy off the shelf, handed one to my awaiting boyfriend, and we proceeded to the checkout. easy. perhaps the locals, mainly older folk, are just not that interested in this wonderful wizarding world? anyway, after completing the play in two days, i figured it was best to write a review of it.

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Harry Potter and the Cursed Child Parts One and Two by J.K. Rowling, John Tiffany, and Jack Thorne
Published by Arthur A. Levine Books on July 31st 2016
Genres: Contemporary, Death & Dying, Fantasy, Fiction, Young Adult
Pages: 320
Source: Amazon // Goodreads // Barnes and Noble

Final Review 4 out of 5

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[caution: slight spoilers below!]

being harry potter has never been easy, especially when he is an overworked, father of three Hogwarts-aged children. his middle child, albus severus, is giving him the most trouble and, since he is harry potter, he doesn’t necessarily know what to do about his tense relationship with his son. albus, on the other hand, does not feel at home at school, he befriends draco malfoy’s son, scorpius, and worries he’s a complete disappointment to the infamous harry potter.

deciding to pursue an illegal magical item and taking matters of death into his own hands, albus and scorpius in tow, sets out to make the past right in the eyes of his father. of course, nothing comes without a price in the wizarding world and a new, unexpected but extremely dangerous foe rises from the ashes completely under the noses of the ministry of magic and all our heroes and heroines.

instead of simply ron, hermione, and harry teaming up to battle at the end, the three sets of families must work together to right the past and the future.

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perhaps my least favorite part of the play, and i think the main reason i didn’t give it a five-star rating, is because of the stage direction. majoring in literature during my four-year stint in college, i made my rounds through literature and i homed in on the most famous playwright of all time (not J.K. Rowling) but Shakespeare. soon, the early modern period of england and europe became my livelihood and my lit courses revolved around those subjects. so to say i have a little experience in reading plays that are meant to be performed is an understatement. however, in Shakespeare’s plays there is hardly an stage direction and that’s okay because at least it is consistent. in this new installment to the series, there is inconsistent stage directions. at first, it seemed fine and started out alright. but then the stage direction began to sound more like omnipotent narrator and less like the director controlling the cast. a play cannot have it both ways. one is able to find the tone simply in the words a character uses, even if we cannot hear him speak them out loud. the context helps provide the tone, and the context can be found in the conversation. no where does the stage direction really provide context expect to clue the audience in on where the characters are and with whom. other than that, the stage directions should be silent. and in this play, they are not. for an example: The room transforms around them, becoming darker and more desperate (page 241). how exactly is a room supposed to become more desperate and even if i were watching this scene performed, how would i see a room become desperate? this is a classic case of what i was told to never do while writing: telling and not showing. the play teeters the line between wanting to be a novel but sticking to what it originally calls itself.

now, that is not to say that i didn’t enjoy every crafted word, every beautiful scene, every bit of dialogue. i loved the play just as much as the next gal holding her own copy. it stayed true to many of the notions that rose out of the first seven books. for example, i could hear harry’s and ginny’s, hermione’s and ron’s voice all while reading; both as i imagined them while reading the books on my own and how their expertly casted actors played them. each, now older, classic character that shows up is exactly their same as their younger counterpart, just now with some gray hair and other signs of aging. harry is still in the middle of things, unaware of what to do; ron is still hilarious but endearing; hermione is still quick-witted, smart, and the only one with her head on straight. now there are a few character changes, too. draco and harry have an unexpected, but totally perfect relationship but this is not the main point of course. the main plot revolves around harry’s son, albus.

HARRY (failing to contain his anger): If you were trying to do as I did, you went the wrong way about it. I didn’t volunteer for adventure, I was forced into it (page 203).

the two boys, albus and scorpius, the sons of harry and draco respectively, are excellent as the main leads.  Rowling’s original voice in the first seven books is channeled here by having the world revolve around a confused, emotional, and scared young boy who has a troubled family, is unsure of who he is and who he’s supposed to become.

SCORPIUS: You’re Albus Potter. She’s Rose Granger-Weasley. And I am Scorpius Malfoy. My parents are Astoria and Draco Malfoy. Our parents–they didn’t get on (page 16).

i think people should read this eighth book because it reminds the reader of why they enjoyed the first seven to begin with. it’s been a little less than ten years since the last book, Harry Potter and the Deathly Hallows, was released, and not that any of us have forgotten why we love the characters and this world, but The Cursed Child gives the reader an opportunity to look into harry’s and all our favorite characters lives nineteen years later. so if you’re wondering if harry and ginny are still married after the short epilogue Rowling gave us in the The Deathly Hallows [spoiler: yes] or if draco is still a mess [spoiler: maybe]. the harry potter generation, which i am proud to be a part of, is all grown up now as well, with their own lives, children, and other adulthood things so it only makes sense that harry potter would have to deal with those things too. and not to mention how comforting this is–our childhood, though ages ago now, is still with us thanks to The Cursed Child.

i cannot even imagine what it must be like to watch the performance live, which is how this eighth book is supposed to be perceived as: seen, not read. when visually experiencing it, the problems i have with the stage direction will (most likely?) be irrelevant because, well, one is actually watching the actors instead of trying to envision it. so, if anyone wants to score me some tickets, that would be super cool.

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First Book Haul

 

welcome to the new edition to shelbylueders.com! A place for me to put my talent to the test and see if how quickly i can read new books as well as how well i can review it.

here is the first haul for my new site.

during the month of july (and a tiny part of august) i purchased 18.5 books (i’ll get to that half in a second). that is quite a haul! normally i would peruse the shelves of barns and nobles and write some titles down and then see how much they cost on amazon kindle (usually much cheaper!), but recently i decided to just forgo that whole step and if i saw something interesting, i would just buy it. you only live once right?

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so here’s a list of the books:

this haul, as you can see, ranges over many different genres, with the most being in the young adult category. even though i just got my degree in literature, young adult books, though mostly left out of schooling, is one of my favorite genres to read and write. they entertain me to no end, satisfy my romantic relationship needs, and generally don’t require much thought.

here’s the young adult books all together:

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stay tuned for some reviews of a few of these books, and for more blog posts to come.

have you read any of these yet? what is your favorite genre to splurge in?